The 8 Chains are email courses — one a week for eight weeks, arriving in your inbox like letters from someone who takes your writing as seriously as you do. Each Chain covers one of the eight fundamental territories of the writing life. Together, they cover everything.
They're not a curriculum in the academic sense. They're more like having a long, specific, honest conversation about what writing actually requires — and what it's actually for.
Each week, an email arrives. Not a newsletter. Not a tip sheet. A lesson — the kind that assumes you're serious and treats you accordingly.
The lessons are built around Wild Magic, a set of writing techniques centered on trust, wonder, and voice discovery. The goal is never to make you write like someone else. It's to help you figure out what you already know — and how to get it onto the page.
Anyone can write. Not everyone can trust their voice. That's what the Chains work on.
You purchase a Chain. Eight weeks later, you've covered the territory. Each email includes the lesson itself, exercises if you want them, and enough room to disagree.
You can take one Chain or all eight. You can take them in order or by what feels most urgent. The Life and the Craft are good starting places if you're not sure — but start where you actually are, not where you think you're supposed to be.
Pay what you want. The minimum is $5. The suggested price is $25. If you can pay more, you're helping someone else pay less.
Each one covers a different territory. All of them assume you're a writer already — even if you don't believe that yet.
The writing life doesn't support itself automatically. Contracts, time, money, identity, the question of whether any of this is worth it — The Life covers the territory most writing teachers avoid.
What actually happens when you write — and when you can't. The Craft goes into the mechanics of making things: how drafts work, how blocks work, and how to get out of your own way.
The industry nobody explains honestly. Queries, agents, editors, small presses, self-publishing, the whole strange ecosystem — The Secrets tells you what it actually looks like from the inside.
How to read your own work. How to read other people's work. How to develop a critical faculty that helps you revise instead of one that just makes you feel bad about everything you write.
The thing people mean when they say a writer has "it" — and the thing most writing advice accidentally trains you out of. The Voice is about finding what only you can say, and saying it without apology.
Story structure, essay form, hybrid work, the places where genre dissolves — The Narrative covers how different forms make different demands, and how to find the form that fits what you're actually trying to say.
Not just for fantasy and science fiction — every piece of writing creates a world, with rules, logic, and consequences. The World covers how to build one that holds, whether you're writing literary fiction or epic fantasy.
The hardest one. Not because the material is difficult but because a writing practice is the thing most writers want and the thing they most consistently fail to keep. The Practice is about why, and what to do about it.
I'm Jacob Clifton. For fifteen years I was a flagship writer at Television Without Pity — one of the most widely-read TV criticism sites of its era, at its peak about a million readers a week. I've written for Tor.com, Vulture, BuzzFeed, the Austin Chronicle. I've been teaching writers for years through A Rough Trade Writing School, through Patreon, through one-on-one work.
The 8 Chains are built around what I've actually learned — about writing, about being a writer, about what it costs and what it gives back. They're not based on a theory. They're based on doing it, badly and well, for a very long time.
The thing that makes you awesome is the thing that makes you suck. The Chains exist to help you figure out which is which — and what to do about either one.
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